selenak: (Max by Misbegotten)
selenak ([personal profile] selenak) wrote2025-09-20 02:21 pm
Entry tags:

Miss Austen (Miniseries)

Miss Austen: is a delightful four part miniseries. Now with the exception of the excellent Miss Austen Regrets, featuring Olivia Williams as an older Jane A., biographical media on Jane Austen has suffered from the usual flaw of biopics or bio series focusing on female authors, i.e. insisting on inflicting plots of their most popular work on their life. Miss Austen also avoids this, not least by the fact the titular Miss isn’t Jane, it’s her older sister Cassandra, played in middle age by a superb as usual Keeley Hawes and in flashbacks when young by SinnØve Karlsen, who is so versatile that despite having seen her being very good as Clarice Orsini, Lorenzo de’ Medici’s wife in Medici and superb most recently as Bayta in Foundation’s third season, I didn’t recognise her until googling her. (In addition to great acting, I blame the regency outfit and hairstyle in the flashbcks. *g*) Jane Austen is played by Patsy Ferran who is also great, both when being mischievous and witty, passionate about writing and her sister, and depressed (for various reasons, not least the early lack of success). In fact, this miniseries has led me to the conclusion that Jane Austen is like Benjamin Franklin in that the best way to treat her is as a supporting character where she can shine and leave the audience asking for more, whereas when Ben or Jane get the main character treatment, the increased focus reduces their charisma and attraction.

(This is also why back in my Highlander days, I never wanted a Methos spin-off, despite being as fond of the character as any other fan. He is perhaps THE example of a character who needs to remain a recurring guest star in order to maintain what makes their charm and mystery.)

Attend the saga of sisters and a sister-in-law… ) The script manages to avoid the obvious quotes while coming up for Austenish sounding things the characters to say, and does great both with the social comedy of manners and the emotional drama. All in all really superb. Anyone either German like me or French: I watched it on ARTE, which also offers the undubbed, original version. Enjoy!
selenak: (Agent Brand by Likeadeuce)
selenak ([personal profile] selenak) wrote2025-09-18 04:28 pm
Entry tags:

Alien: Earth 1.07

In which it's very useful to know the numbers of pi by heart. Or eye.

What have you done? )
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Alison ([personal profile] landofnowhere) wrote2025-09-17 07:51 pm

wednesday book about a Great Man

Gauss, Titan of Science by G. Waldo Dunnington, with additional material by Jeremy Gray. I mentioned in last week's post that during recent air travel I watched a movie with a dubiously historical version of Gauss and was entertained but ultimately would accept no substitutes for actual historical Gauss.

This is the biography of Carl Friedrich Gauss that I picked up off a university library shelf when I was 15, and made me go all swoony over Gauss's letter proposing to his first wife (link is to the original German manuscript). Returning to it with less swooniness and a more mature ability to evaluate historical sources, and also reading a new edition with helpful front matter, it's clear the book is not 100% "actual historical Gauss": it starts off with a version of the famous 5050 story, which is based on an anecdote that Gauss reportedly told about his childhood, but probably didn't happen exactly that way.

Indeed, as I learned from the front matter, G. Waldo Dunnington was a professional Gauss stan; one of his elementary school teachers was a great-granddaughter of Gauss, and learning that there was no Victorian Great Man biography of Gauss, he spent his entire academic career (interrupted by WWII) remedying that lack. Since I'm also a Gauss stan, I found the book generally readable if sometimes a bit repetitive, and enjoyed various fun Gauss facts. (In the department of obscure historical figures who ought to be fictionalized, there is Friedrich Ludwig Wachter, Gauss's student who studied non-Euclidean geometry and vanished without a trace at age 25.)

I'll probably do more Gauss reading (though also I now have an unproofread scan of Teresa by Edith Ayrton Zangwill so I may read that first); I've started with the letters online, but may also seek out other biographies. I continue to be fascinated by Gauss's youngest daughter, whose story would make a good historical romance; and having done some Gauss reading I'm starting to think I can actually write this fic.
juushika: Photo of a cat in motion, blurred in such a way that it looks like a monster (Cryptid cat)
juushika ([personal profile] juushika) wrote2025-09-17 02:04 pm

Book Reviews: John the Skeleton, Laan; Bog Myrtle, Sharp; Millie Fleur's Poison Garden, Mandin

Title: John the Skeleton (Luukere Juhani juhtumised)
Author: Triinu Laan
Illustrator: Marja-Liisa Plats
Published: Yonder, 2024
Rating: 4 of 5
Page Count: 65
Total Page Count: 540,855
Text Number: 1999
Read Because: more spooky picture books, hardback borrowed from the Timberland Regional Library
Review: A classroom skeleton retires to live with Gran and Gramps in the country. This is unlike any picture book I've read; maybe that's the author, maybe they write different in Estonia, but I appreciate it and hope to see more picture books in translation. Episodically structured, this cleaves to its premise: the small adventures of an inert anatomical skeleton, scaring off ne'er-do-wells and hanging out at a sauna; it has a candid respect for the eccentricities of private life, and trusts children to inhabit new perspectives and experiences, like aging and death. The black and white sketches with blinding red accents aren't aesthetically pleasing, but the human forms are diverse and realistic, drooping and bulbous and beautifully normal.

All of that makes for a grounded, dense picture book with little momentum; this is one I put in the "more interesting than enjoyable" category, but one of the joys of picture books is that they're a prime medium for experimentation. Constrained by their format, alleviated by illustration, they can get as weird as they want to without overstaying their welcome.


Title: Bog Myrtle
Author: Sid Sharp
Published: Annick Press, 2024
Rating: 3 of 5
Page Count: 145
Total Page Count: 541,000
Text Number: 2000
Read Because: more! but this one is a graphic novel, hardback borrowed from the Timberland Regional Library
Review: In an effort to make a nice gift for her miserable sister, our protagonist accidentally offends and then befriends the local swamp witch. I liked that half of the book, which has an offbeat, blasé humor, generous illustrations and dynamic text, a blandly spooky forest and a cynical whimsy. But the anti-capitalist screed in the second half doesn't work for me. Exploitation at the scale isn't inter-familial, isn't a power differential determined by a few years and a bad attitude, so the message feels incoherent, and I'm not sure how well jokes about unions land for the target audience. I'd love to read more by the author, because when this is good I adore it, but it needs refinement.


Title: Millie Fleur's Poison Garden
Author: Christy Mandin
Published: Orchard Books, 2024
Rating: 3 of 5
Page Count: 40
Total Page Count: 541,040
Text Number: 2001
Read Because: more!, hardback borrowed from the Timberland Regional Library
Review: A girl's strange garden is unwelcome in her neat and uniform town. Fascinating that two nearly identical picture books came out in the same year (the other being Ferry's Prunella); the premise could be a coincidence, but the remarkable similarity of the plot feels telling: strangeness is first isolating and then a site of social bonding, although in this case the protagonist initiates, creating rather than finding like-minded fellows. Neither approach is superior, although I prefer the more realistic plants in Prunella. It's an optimistic, pointed, reassuring message about being different—so much so that it grows trite. Picture books are allowed that kind of wholesomeness, but I find it almost alienating: this isn't why I read about weird little girls, or the kinds of reassurances I wanted or trusted when I was one.

(Identical right down to the diverse group of kids visiting the garden including a wheelchair-user who struggles not at all with the unfeatured grass? paving? you don't know, don't worry about it, there is a by-the-book-ness of modern picture books which is embarrassing when quite this obvious. While I'm being petty, the title and obviously premise of this one is inspired by the Alnwick poison garden, so the cartoony, anthropomorphized, distinctly not poisonous plants are such a let-down.)
selenak: (Ben by Idrilelendil)
selenak ([personal profile] selenak) wrote2025-09-16 04:47 pm

Raindrops keep falling on my head....

RIP Robert Redford. A fantastic run of movies especially in the 70s as an actor, later as a director never made an uninteresting movie, founded a film festival of several decades running, and to the best of my knowledge never abused his fame and status and instead used both to help others.


netgirl_y2k: (Default)
netgirl_y2k ([personal profile] netgirl_y2k) wrote2025-09-16 03:27 pm

Reading, or Lack Thereof

I talk a good game about giving up on books you're not enjoying, and I am pretty good at DNF-ing books at, like, 10-15%, but I find it very difficult to give upon a book after I've gotten much past that.

Which is probably why I have spent weeks now trying to convince myself that I really am going to go back to Awakened by A.E. Osworth (put down at 40% sometime in mid August). I so wanted to like it - the summary is a coven of trans witches fight an evil AI. Cool, eh? I never got to that bit, I bounced off it for, actually, the same reason I can't get on with the Gideon the Ninth books; the narrator has the same too online, wryly twee, queer elder millennial voice. And I know that the reason I find that voice oh so grating is that I talk like that. During one of the hotter days this summer I was in a pub beer garden with a mate and I described our environs as 'a bit fire hazard-y.'

Moving on, what should I read instead? Read anything good recently?

Comics wise I did read Absolute Wonder Woman: The Last Amazon which I loved almost as much as Absolute Superman. The AU is that Diana was raised in Hell by Circe the witch. So like, she's still Wonder Woman, still extending her hand in friendship, but she is riding a skeletal pegasus, and performing dark magic, and constantly covered in blood. She's got a magic prosthetic arm because she sacrificed her real arm as part of, like, a blood spell. It's badass...and Steve Trevor is still kind of a lame love interest.

I only got as far as the first issue of Absolute Batman, but I am generally a harder sell on Bruce in general. I do want to give some of the other absolute runs a shot before they get folded into the wider DC universe or some sort of giant, ridiculous crossover event and I completely lose interest.

And I did read the first issue of G. Willow Wilson's Black Cat, which seems like it's going to be a lot of fun, although I will be bummed if it turns out Felicia wasn't actually flirting with Night Nurse.

Speaking of comics, I think I got my friend Al in trouble with his wife. So Al has no fewer than one thousand (1000) trade paperbacks stacked up in his garage, and the reason that he has been giving for why he hasn't gotten rid of them yet is that I was going to come round to go through them and take anything I wanted. So the other week I'd been round watching a movie with the wife and she said "Hey, while you're here do you want to have a look at those comics in the garage?" and I said "Huh?" while clearly wearing the facial expression of someone who was just learning this information for the first time.

Oops.

So someday soon I have to clear a morning so I can go round and stand in Al's garage going through a literal ton of comics.
selenak: (Music)
selenak ([personal profile] selenak) wrote2025-09-15 11:59 am

To start the week with

Star Trek: Strange New Worlds finished its third season, and you may have deduced from the fact I didn't review the remaining episodes that for me, it did not take a turn for the better. The Ortegas episode was probably the most, in lack of a better term, Trekian, not to mention the long awaited one with a focus on Ortegas beyond "I fly the ship", but it shares with far too many ST: SNW episodes the way it is just incredibly derivative, of both other franchises and earlier ST. And the series finale chose to pick my least favourite DS9 plotline and scenario, sigh. To complete my turn to an old grouch, the feeling of this season as Star Trek: The Rom Com didn't help, either. Anyway. I'll always have Discovery and Prodigy in terms of new ST that manages to unite both affection for the past AND originality and the courage to try out new paths and characters.
*****

Given the daily horror show that is the news, it's all the more important to find joy in fannish things, so I was delighted to discover this new Sense 8 vid. Now there was a show celebrating joy and diversity:

Sense 8

Voice in my Throat

***

And on another joyful note: Yuletide nominations have started!
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netgirl_y2k ([personal profile] netgirl_y2k) wrote2025-09-14 06:15 pm

That Sure Was a Season of Star Trek

Strange New disappointments
Straight New Worlds
Strange New Worlds

I frickin' loved the first season of SNW. The second season included one of my all time favourite episodes of Star Trek (the Lower Decks crossover). I was so hyped for season three...and, like, it was bad? So bad that I was like...did I hallucinate this show ever being good?

Thus follows a brief list of my gripes about S3 of SNW:

1. It's not funny. I agree with the reviewer who said that this season desperately wants to be Lower Decks, except the writers don't have the comedy chops, so you end up with a season that is 50% "comedy" episodes, culminating in the episode Four and a Half Vulcans a thuddingly unfunny episode of television that was nonetheless teased at comic con last year, like they inexplicably thought that was them putting their best foot forward.

2. Speaking of Lower Decks, the nostalgia bait of LD worked because sometimes it was super weird, and sometimes it was a deep cut, but it always felt like it was written by people with a deep knowledge and love of Star Trek, while the callbacks in SNW all feel like they were written by people who vaguely remember having watched The Original Series as kids.

Like, at the end of the episode Terrarium, actually one of the better episodes of the season, the freakin' Metrons turn up to monologue, all like, "We have trapped a human and a Gorn together on a planet, and we will do it again!" And, like, we all remember the episode with Kirk and the Gorn. It's a very famous episode! They made fun of it in Galaxy Quest. And, like, anyone who doesn't know, doesn't know who goshdarn Metrons are either!

3. The overwhelming, bordering of offensive, heterosexuality of SNW is not new - I've said before that making a big ensemble show in the 2020s with not even a token queer character feels like a very deliberate choice has been made - but it did feel like it's stepped up a gear this season. There was a trailer for S3 that went like: "All New Worlds! All New Adventures! All New Relationships!"

And, like, Sorry? What? Pardon? Who is watching Star Trek for the romance?

This gripe has sub clauses, y'all

a) I did not especially care for the Spock/Chapel ship in the first two seasons, it felt like it took over the show slightly, and turned what was basically 'two co-workers have a weird vibe because one has a crush on the other and maybe they had an inadvisable snog at the work x-mas party' into an interminable story of star-crossed lovers. Then they dropped it like a hot potato, because it felt like the writers belatedly realised that the ship as written didn't jibe with turning SNW into the Original Series.

b) I didn't actually hate Spock/La'an; it was low key, didn't overwhelm the show the way it felt like Spock/Chapel had, made sense for both characters. It was just that it fit into a pattern this season of the writers having no interest in their female characters beyond deciding which dude's tongues they were going to shove into their mouthes.

c) I like Patton Oswald, and I'm usually happy to see him pop up, and I might have disliked this less if I felt like I had learned anything about Una this season other than she's definitely straight y'all.

d)Beto Ortegas--

Hang on, this sub clause has addendums

i. Erica Ortegas has a brother, doubling her number of known character traits to 1) flies ship, and 2) has brother.

ii. That brother is the pivotal character in an episode called What is Starfleet? which concludes that Starfleet is a bunch of people who almost do a warcrime and then decide not to at the last minute.

iii. Said brother has a stilted, awkward, and unconvincing romance with Uhura. I mean, it wasn't like they were doing anything else with the iconic character of Nyota Uhura, right?

iv. There is an episode where Erica is lost on a hostile planet and Uhura is orders of magnitude more upset than the rest of the crew which would have made a bajillion times more sense if Erica and Uhura had been the ones to have the flirtation/relationship.

I know writers who use compulsory heterosexuality, they are all cowards.

4. Captain Pike has a love interest named Captain Batel. She nearly died at the end of S2, he was very sad about that; at the end of S3 she turns into a statue, and Pike is very sad about that too. I have no idea what Marie Batel thinks about this Nu Who ass ending because the show cares about her character so little that it can't even be bothered to decide what her job is, over the course of her guest appearances she is 1) a starship captain, 2) a courtroom lawyer, 3) a starship captain again, 4) on the supreme court, I guess.

Anyway, she's a statue now.
selenak: (Demerzel and Terminus)
selenak ([personal profile] selenak) wrote2025-09-12 01:32 pm

Alien: Earth 1.06 und Foundation 3.10

Alien: Earth:

The internet tells me Sigourney Weaver is watching Alien: Earth and is as enthralled as yours truly. Now if that isn't a compliment to Noah Hawley et al, I don't know what is.

Spoilers are on a quest to use the creepiest Peter Pan quotes in every episode )


Foundation

Is the first season finale necessitating that the next season has to start without a century like time jump. Also, yowsers.

...while the worst are full of passionate intensity )
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Alison ([personal profile] landofnowhere) wrote2025-09-10 10:55 pm
Entry tags:

wednesday books from an alternate timeline

Short post because (a) it's actually only been a week (b) busy and (c) while I did spend a bunch of time on planes it was mostly not reading. (I did watch the movie of Die Vermessung der Welt with English subtitles, and while it worked to keep me entertained while very sleep-deprived, on reflection I'm too invested in the actual historical Carl Friedrich Gauss to accept any ahistorical substitutes.)

To Shape a Dragon's Breath, Moniquill Blackgoose. I thought it would be appropriate to read about dragons on the plane trip, and then I didn't read very much, but that's fine as the dragons don't really get to fly in this book anyway. This book was not very subtle in a way that I suspect I'd have preferred if I was younger, which makes sense as it's YA. There are presumably people who would review this book as "I thought I was getting a story about dragons, not a story about how racism and colonialism are bad", but I had read enough reviews to know what I was getting, which was that, but also a school story with interesting alternate-history chemistry and telepathic pet dragons who are not yet a big part of the story, and I enjoyed it! I will definitely be reading book 2 (which I appreciate about summer vacation rather than skipping to the second year of school) when it comes out in January.
juushika: Painting of multiple howling canines with bright white teeth (Never trust a stranger-friend)
juushika ([personal profile] juushika) wrote2025-09-09 03:50 pm

Book Review: The Puppets of Spelhorst by Kate DiCamillo, illustrated by Julie Morstad

Title: The Puppets of Spelhorst
Author: Kate DiCamillo
Illustrator: Julie Morstad
Published: Candlewick Press, 2023
Rating: 4 of 5
Page Count: 150
Total Page Count: 540,790
Text Number: 1998
Read Because: came up on a spooky picture book library list despite being a MG novel, hardback borrowed from the Timberland Regional Library
Review:
"In my dream," said the wolf, "I am chasing and being chased, both things at the same time."


A puppet troupe moves from the ownership of a lonely old man to a pair of little girls, searching for the story they have to tell together. This melancholy tale has a folktale-esque tone, with sketchy, sparse illustrations and a gravity unexpected for such a petite volume, a particularly evocative wolf and a search for identity and role set against the rather more realistic childhood of officious, prickly little girls. But it doesn't feel like it's really for children*; the girls exist as a foil to adult concepts of longing and grief and, frankly, if I'd read this as a kid, the "transforming toys traumatizes them" plot point would have upset me a lot. Perhaps more interesting than successful, I liked the whimsical-but-somber vibe.

* The usual caveat: don't have them, don't know them, what would I know! Still, let's all count the innumerable number of times I've called a Candlewick Press book not-actually-for-kids.
juushika: Photograph of a black cat named August, laying down, looking to the side, framed by sunlight (August)
juushika ([personal profile] juushika) wrote2025-09-09 02:46 pm

Book Review: A Dog So Small, Philippa Pearce

Title: A Dog So Small
Author: Philippa Pearce
Illustrator: Antony Maitland
Published: 1962
Rating: 4 of 5
Page Count: 140
Total Page Count: 540,640
Text Number: 1997
Read Because: recommended by Rosamund after reading Strömgård's The Secret Cat; borrowed from OpenLibrary
Review: Our protagonist desperately wants a dog, but has no room to keep one in his family's London flat; when he's promised one anyway, what he receives is a picture of a chihuahua, which inspires him to conjure an imaginary pet. Great premise, and, though we don't get a ton of the imaginary dog, the relationship between boy and dog, the evocation of loneliness and the idealized companion, is excruciatingly tender, personal, and relatable; this was me with cats, before I had cats, and you better believe I got emotional about it. It reminds me, unexpectedly, of Wyndham's Chocky: imaginary friend as plot, seen through the external repercussions of an inner subjective reality; the use of omniscient PoV is fascinating, affecting an occasional distance from a profoundly internal and intimate experience, almost like it's giving the reader some breathing room. This is also a relic of its time, a snapshot of animal caretaking and British society which hasn't aged with particular grace; this echoes in a didactic ending of questionable effectiveness, shunning the inner world for the compromises of a normalized external reality; but, you see, I was Ben, and getting my flesh-and-blood cats was no compromise.